Candid recollections preceding each city portfolio that form an autobiographical account of the period McCartney remembers as the “Eyes of the Storm,” plus a coda with subsequent events in 1964.A personal foreword in which McCartney recalls the pandemonium of British concert halls, followed by the hysteria that greeted the band on its first American visit.Featuring 275 images from the six cities―Liverpool, London, Paris, New York, Washington, D.C., and Miami―of these legendary months, 1964: Eyes of the Storm also includes: Taken with a 35mm camera by Paul McCartney, these largely unseen photographs capture the explosive period, from the end of 1963 through early 1964, in which The Beatles became an international sensation and changed the course of music history. Lindbergh lives and works in Paris, New York, and Arles, France.''Millions of eyes were suddenly upon us, creating a picture I will never forget.'' -Paul McCartney His work has been exhibited in solo and group exhibitions worldwide, including Images of Women, Bunkamura Museum of Art, Tokyo (1996, traveled to Hamburger Bahnhof, Berlin Kunsthaus Wien, Vienna Palazzo delle Esposizioni, Rome and Pushkin State Museum of Fine Arts, Moscow, among others) Stories Supermodels, Ludwiggalerie Schloss Oberhausen, Germany (2003) Visioni, FORMA Centro Internazionale di Fotografia, Milan, Italy (2006) Beauduc, Les Rencontres d’Arles, France (2008) The Unknown, Ullens Center for Contemporary Art, Beijing (2011) Fotomuseum, Antwerp (2011–12) Berlin, Maison de la Photographie, Lille, France (2013) The Unknown and Images of Women, HDLU Museum, Zagreb, Croatia (2014) and Peter Lindbergh/Garry Winogrand: Women on Street, NRW-Forum Düsseldorf (2017). Lindbergh was born in 1944 in Leszno, Poland. His images became homage to the new modern women. In the 1990s Lindbergh garnered international acclaim for launching the careers of the “Supermodels”-Cindy Crawford, Kate Moss, Stephanie Seymour, Naomi Campbell, and Linda Evangelista. He uses body movement-in particular modern dance-to celebrate the human form in a way that carries elements of both antiquity and modernity. In his editorial work for Vogue, Harper’s Bazaar, Interview, and many other international magazines, Lindbergh replaces staged, calculated glamour with a vérité approach, enhanced by his use of high-contrast black-and-white photography.
His Eastern European heritage can be traced in the stark and guileless realism that frames the feminine beauty of his subjects.
Peter Lindbergh’s now-iconic photographs of women derive inspiration from early narrative cinema and street photography in their fleeting observations and compositional elegance.
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